This project showcases student project work from Japan and the World, a modern Japanese history course offered at Kanda University of International Studies. It focuses on important themes and individuals from the Meiji (1868-1912) and Taisho (1912-26) periods, when Japan was beginning to open to the world after centuries of government-enforced isolation.

All submissions are researched, whether in English or Japanese, and references provided. Comments responding to and exploring ideas, suggesting connections or further reading, are most welcome. As entries are written by non-native English speakers, please refrain from non-constructive comments about language use.

Blog editor/ course designer: Caroline Hutchinson

Tuesday 4 February 2014

Ernest Fenollosa

One of the famous
artworks, “Hibokannon”
By Yoshihiro Isogaya

Wherever you go in Japan, you’ll always see temples, shrines or images of Buddha. Because they are so famous now you’ll think it has been that way all the time, but actually it was the opposite. A lot of Japanese people had no interest in their own arts at that time. Some were even taken down because of that. How did their mind change from not having any interest to having interest? It’s all because of a man whose name was Ernest Fenollosa.

When he was 17, he entered Harvard University to study philosophy. He graduated Harvard University with the highest score. After he graduated, at the age of 24 he entered an art school which was built newly at the Boston Art Museum since at this time he started to have interests in arts.

In 1878 his father couldn’t get familiar with the society and killed himself. Because he lost his mother when he was 13, he lost both of his parents with this tragedy. After this tragedy, like fate, an opportunity came along: he found out that Tokyo University was looking for people to hire. Because of all he’d been through, he thought that it was his destiny to find out about that and from that he decided to go to Japan to teach.

After he went to Japan, he became to be interested in the image of Buddha and the art of Japanese woodblock prints. So he began to collect and study about historic arts all over Japan. Later on while he was studying about Japanese arts he found out something that he couldn’t believe. With all the great arts the Japanese had, almost none of the Japanese had interest nor thought their own art was important such as temples and images of Buddha. He was really shocked about that. Even some of the temples and images of Buddha were taken down because of that. To try to change this situation he started a campaign to tell the Japanese people how beautiful Japanese art is. He told them why they are so beautiful and important. Because of that he was able to change the minds of the people how they thought of their own art and he succeeded to make it the way it is now. It is now the most famous art in the world and all the people know how important it is now because of what he did for it.

He didn’t just help the Japanese art not to die but he also found the real artist, “Kanou Hougai”. He was an artist but he wasn’t famous at all because nobody had any interest in his arts, but Ernest found his art and he decided to talk him into making an art which became a real famous art later on even now. If Ernest didn’t find him this art would’ve never existed and Japanese art wouldn’t have been this famous all over the world. With all that he did it made a lot of difference and I wish more people in Japan knew about this.


Reference list

Ernest Fenollosa. (n. d.). In Wikipedia. Retrieved on 09/01/2014 from
http://ja.wikipedia.org/wiki/%E3%82%A2%E3%83%BC%E3%83%8D%E3%82%B9%E3%83%88%E3%83%BB%E3%83%95%E3%82%A7%E3%83%8E%E3%83%AD%E3%82%B5

Nihon no onzin Fenollosa [Fenollosa the Japan’s benefactor]. (n. d.) Retrieved on 09/01/2014: http://kajipon.sakura.ne.jp/kt/haka-topic36.html

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